![]() This rule will prevent that image from growing beyond its container, which feels like much more sensible default behavior to me. If an image has a "native" size of 800×600, the element will also be 800px wide, even if we plop it into a 500px-wide parent. Most block-level elements will automatically grow/shrink to fit their parent, but media elements like are special: they're known as replaced elements, and they don't follow the same rules. This is done to keep large images from overflowing, if they're placed in a container that isn't wide enough to contain them. If you've ever had a mysterious 4px gap that wasn't margin or padding or border, it was probably the “inline magic space” that browsers add with line-height.īy setting display: block on all images by default, we sidestep a whole category of funky issues. If we try to use an inline element in our layout, though, weird things happen. Typically, I treat images the same way I treat paragraphs or headers or sidebars they're layout elements. This doesn't jive with how I use images most of the time. This implies that they should be used in the middle of paragraphs, like or. So here's a weird thing: images are considered "inline" elements. We need to explicitly turn it off, by setting -webkit-font-smoothing to antialiased. I'm guessing they realized that it was doing more harm than good on modern hardware.Ĭonfusingly, MacOS browsers like Chrome and Safari still use subpixel antialiasing by default. In MacOS Mojave, released in 2018, Apple disabled subpixel antialiasing across the operating system. ![]() If you look at a modern monitor under a microscope, you won't see an orderly grid of R/G/B lines anymore. The physical arrangement of pixel LEDs has changed as well. Today's pixels are much smaller, invisible to the naked eye. Here's the problem: that article was written in 2012, before the era of high-DPI “retina” displays. You may have read a popular blog post, Stop “Fixing” Font Smoothing, that advocates against switching to “antialiased”. In the past, this was seen as an accessibility win, because it improved text contrast. This is a technique that aims to make text easier to read, by leveraging the R/G/B lights within each pixel. On MacOS computers, the browser will use “subpixel antialiasing” by default. SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 This license is copied below, and is also available with a FAQ at: Copyright (c) 2009, 2010, 2011 Daniel Johnson Font Software is licensed under the SIL Open Font License, Version 1.1.Alright, so this one is a bit controversial. The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others. The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. ![]() The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. “Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation. “Reserved Font Name” refers to any names specified as such after the copyright statement(s). “Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s).
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